is a visual study of beauty, control, and contradiction—told through the lens of a girl who’s learned to weaponize her silence.

The TOXIC Series (2025) by Mikael van Lichtberg is a cinematic analog photo series captured in the volcanic landscapes of Iceland, featuring a blonde fashion model in flowing neutral tones. Shot entirely on location with natural light and minimal styling, the editorial explores a young woman’s quiet defiance against societal expectations of femininity. Through wind-swept hair, poised stares, and distant backdrops, the series subtly reflects on the tension between softness and control, beauty and detachment.

Model: Aldís
Agency: Ey Agency – Reykjavík, Iceland

Analog portrait of a young woman standing on a volcanic landscape in Iceland, holding a bouquet of yellow flowers and two red-and-white cans of Monster Energy drink. She wears a white dress, a light trench coat, and black leather boots. Her hair blows in the wind beneath a bright blue sky, mountains fading in the distance. Shot on film.
They told her she was dangerous once.

She wrote it down in cursive on the inside of her coat. Now she wears it when it rains.

She doesn’t like metaphors, but she collects them anyway.
A white dress in volcanic ash.
A bouquet stolen from a funeral.
An unopened book with your name on the spine.

 

There’s a certain kind of girl who gets blamed for the weather.

Too much wind in her voice, too many clouds behind her eyes. You know the type. She walks ahead even when she’s lost. She waits until your hands are full before dropping the truth.

She doesn’t cry in front of strangers. Not because she’s strong, but because she’s scared it might look rehearsed.

Analog fashion portrait of a young blonde woman in a white shirt dress and light trench coat, standing in front of a dark volcanic mountain in Iceland. She looks to the side as the wind lifts her hair. The rocky lava field beneath her contrasts with the softness of her expression and outfit.
Side-profile analog portrait of a blonde woman in a flowing white dress and light trench coat, walking through an Icelandic lava field with rugged hills in the background. Her hair is swept back by the wind as she gazes ahead with calm determination.

She dreams of disappearing in places no one checks for bodies:

A hotel bathroom at 3am
The notes app
A moment that almost looked like freedom

Her softness is always questioned.

Either it’s fake, or it’s a trap.
Either way, she knows how to use it.
That’s not the compliment you think it is.

Close-up analog portrait of a blonde woman in a light coat, standing in the Icelandic countryside. Her windswept hair partially veils her face, creating a soft, ethereal atmosphere with a hint of defiance.
Blonde woman in a light trench coat and white dress, standing in front of a volcanic hill in Iceland. Her stance is grounded and powerful, with hands in her pockets and wind-blown hair.

Sometimes she says “I’m fine” just to prove she can lie better than you.

In the end, she stays quiet.
Not out of guilt.
Out of style.

Shot in Iceland.
In wind.
In direct sunlight.

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